Andrew Scott as Angel in Original Sin. 2002 Sheffield Crucible. Photo Simon Walker
We are only a few weeks away from the first performances of Simon Stephens’ Birdland at the Royal Court. So much excitement riding on this: Andrew Scott in a Simon Stephens play (Sea Wall anyone?) directed by Carrie Cracknell. No pressure but anything less than superlative might be a disappointment.
This is not Andrew Scott’s first theatrical appearance since he played Moriarty (there is no way around it, for certain actors in certain roles there is before and after). He always stuck very close to the stage, all the way back to his native Ireland and Abbey theatre. My first introduction to his talents was at a Royal Court rehearsed reading in early 2009. (I had to look it up but the play was The Uncertainty Of The Situation (Die Unsicherheit der Sachlage) by Philipp Loehle. The cast – take a deep breath – included Katherine Parkinson, Jeff Rawle, Paul Ready, Samuel West). Once I saw him on stage, I always kept tabs, I wanted to have that rush again.
But this was seven years after he played Angel in Peter Gill’s Original Sin, after Frank Wedekind’s Lulu. The production premiered in Sheffield Crucible with mixed reviews but I can’t help to feel bawled over by its subject matter: “Angel, a spell-bindingly beautiful boy is plucked from the streets to be the plaything of a wealthy newspaper proprietor. Continue reading →
Arthur Wing Pinero’s The Magistrate was not the first choice for a Christmas show at the National, but as Christmas productions go, it’s a perfect seasonal treat: expertly directed by Timothy Sheader, it’s light footed, frothy, witty, with a twinkle in its eye and a spring in its step.
For anyone familiar with 19th century farce, the plot has few surprises: Agatha Farringdon, a young widow with a son, married the Magistrate Mr Posket and a little lie at the time of her wedding has complicated her life ever since. The more she tries to cover it, the more things twist and turn out of her control. At the same time, her husband and son succumb into their own temptations, as a result two imperfect worlds collide with – as they say – unforeseen consequences.
The plot might be less than surprising but the fun is in the spaces in between: Continue reading →
Director Jamie Lloyd launches his own production company in association with the Ambassador Theatre Group. The announcement of this new commercial theatre venture comes not long after Michael Grandage announced his West End season of five plays chock full of big names (Simon Russell Beale, Ben Whishaw, Judi Dench, Daniel Radcliffe). Although my wallet undoubtedly suffers when I have to pay West End prices, it’s healthy to have commercial theatre that feels exciting.
A couple of years ago, the Royal Shakespeare Company produced and toured Ben Power’s play A Tender Thing, a new way of looking at the story of Romeo and Juliet. I was sad to miss it then, but the play returns at the RSC this autumn, this time with two of my favourite actors, Richard McCabe and Kathryn Hunter. Not missing it this time.
Anne Marie Duff at the Donmar was already exciting news, but now the remaining cast for Jean Racine’s Berenice has been announced: Stephen Campbell Moore and Dominic Rowan will join her as husband and lover. In this “perfect tragedy of unfulfilled passion“, it’s a delicious combination.