Wednesday evening saw my return trip to Simon Stephens’ Birdland, Every few months, I have a play or production that ignites the imagination and thus repeat viewings are inevitable. Furthermore, this is the only way to fully experience theatre: once is often a necessity but it’s not a preference. Productions are living things, if it’s impractical to be there every night, it doesn’t mean they stay still without our presence (professional critics often seem to forget that).
It’s fun trying to decipher what changed with time (There will be SPOILERS for the rest of the post, so please don’t read if you don’t want to be spoiled): Paul felt more deliberately cruel than in the previous performance. Louis – the superfan – is now holding a magnifying glass when he is meeting Paul. At one point David (the manager) puts drops to Paul’s eyes. At the same time, one of the actresses is at the roof and dropping marbles on a metal bowl held by another actress standing below, thus mimicking the eye-dropping action (and creating a loud clanking sound). On Wednesday night, the actress missed the bowl and the marble rolled all the way to the front of the stage and sank in the water. Some things are the same but now I am able to focus on them differently: I love how the set exposes the backstage area all the way to the exterior wall. When Johnny leaves through the fire escape, he exits directly into the street.
The post show talk was lovely and intimate: Continue reading