Arthur Wing Pinero’s The Magistrate was not the first choice for a Christmas show at the National, but as Christmas productions go, it’s a perfect seasonal treat: expertly directed by Timothy Sheader, it’s light footed, frothy, witty, with a twinkle in its eye and a spring in its step.
For anyone familiar with 19th century farce, the plot has few surprises: Agatha Farringdon, a young widow with a son, married the Magistrate Mr Posket and a little lie at the time of her wedding has complicated her life ever since. The more she tries to cover it, the more things twist and turn out of her control. At the same time, her husband and son succumb into their own temptations, as a result two imperfect worlds collide with – as they say – unforeseen consequences.
The plot might be less than surprising but the fun is in the spaces in between: Continue reading