Stuart Slade’s Cans, currently playing at Theatre 503, is both intriguing in its theme and tender in its approach. It focuses on a subject matter that, in its details relates to recent collective preoccupations (I won’t say more for fear of spoilers), but in its core is old and universal and inexhaustible: Do we ever know the people we love? And how do you renegotiate love in the context of grief and the absence of the other person?
It’s also framed in the lovely and rich relationship between uncle and niece, and we don’t have enough of those in theatre (Uncle Vanya alone can’t carry it and Claudius will never win Uncle of the Month). Uncles, aunts, nephews and nieces is special fertile ground, free, unpredictable and a little bit naughty, full of trust but devoid of unnecessary tension.
Stuart Slade and director Dan Pick take these ingredients, and work up something robust and tender: they delicately construct revelations throughout the play, at the same time as they keep it true and real, which in this case means messy and a bit dark and inappropriately funny. Continue reading