Let’s start with a rhetorical question: Can you have too many King Lears? No matter what the answer, the productions will still come thick and fast. And even if you are tempted to say yes, you soon realise you are wrong. As with all Shakespeare, there is always room for more. The much-anticipated (not least by me) King Lear at the National is only a couple of months away, but first we have the Chichester Festival Theatre production directed by Angus Jackson. Presented at the Minerva theatre (the smaller more intimate space at Chichester), it has its own big name in the title role: Frank Langella is a heavyweight of american theatre and well acquainted with London stage. The production will transfer to Brooklyn Academy of Music in New York in 2014. In other words, it’s a King Lear that can’t be ignored.
And in many ways, it pays off. It’s clear, concise with strong imagery and drive. Set (by Robert Innes Hopkins) and lighting (by Peter Mumford) are magnificent: much of the light is filtered through asymmetrical columns at the back of the stage, the effect a backlit shadowy fog illuminating tragic souls. Continue reading
Amanda Lawrence as The Devil, Bertie Carvel as Enrico. Photo by Brinkhoff/Moegenburg
Do we go to heaven because we have faith or because we do good deeds? This is the central question in Damned by Despair, a play by 17th century spanish dramatist Tirso de Molina, revived at the National theatre in a new version by Frank McGuiness. The distinct possibility that heaven doesn’t exist is not part of this play’s fabric, and I am happy to leave my agnostic beliefs at the door and explore fascinating spiritual questions in their own terms.
Enrico is a total thug, doing unspeakable things (think Reservoir Dogs in Naples), but also has an unwavering faith in god and a real love for his father. He is ridiculously charismatic, not least because Bertie Carvel can be anything but: his dark streak is laced with something softer and more tender, almost as explosive as the violence itself. Paulo is a monk, whose faith in god hangs on a thread. If the thread breaks, the faith goes. As played by Sebastian Armersto, Paolo is wrapped in himself and his agony failing to engage with the real world (isn’t that more damning than the lack of faith?). The spiritual fates of these two men are locked together to the bitter end. Continue reading