There are productions when I want to dispense with any pretence of articulate thought and gush like an overexcited teenager. They are not merely good, they reclaim something fundamental about theatre as a wild ride. The Light Princess is such a theatrical adventure.
Adapted as a musical by Tori Amos and Samuel Adamson from a Scottish fairy tale published in 1864, Marianne Elliott’s production brings together many things I love about theatre: restrictions of live performance – where laws of gravity and physical space need to be obeyed – become a virtue and not a hindrance. Continue reading