As You Like It. Pippan Nixon and Alex Waldmann. Photo Alastair Muir
These are the 2013 productions that stuck in my dreams and didn’t want to shift. In strict alphabetical order, because selecting ten for the list was hard enough.
American Psycho, Almeida theatre: the energy and clarity of the production juxtaposed with Patrick Bateman’s nihilism made for an unforgettable experience. Hell in pastel colours and blood splatters. And eighties pop songs. Matt Smith plays the absence of a soul magnificently.
As You Like It, Royal Shakespeare Company: Discovery of love and freedom played out with such openness in Maria Aberg’s production that in the end I wanted to cry with joy. Pippa Nixon was luminous (and as Ganymede she looked like a young K.D. Lang – that can only be a plus) and Alex Waldmann matched her soulful playfulness every step of the way. Continue reading →
There are productions when I want to dispense with any pretence of articulate thought and gush like an overexcited teenager. They are not merely good, they reclaim something fundamental about theatre as a wild ride. The Light Princess is such a theatrical adventure.
Adapted as a musical by Tori Amos and Samuel Adamson from a Scottish fairy tale published in 1864, Marianne Elliott’s production brings together many things I love about theatre: restrictions of live performance – where laws of gravity and physical space need to be obeyed – become a virtue and not a hindrance. Continue reading →