Back in December, I made no secret how much I disliked Martin Crimp’s In The Republic of Happiness. It was unrelentlessly boring, further more its central theme – the myopic indulgence of the middle classes – is at least five years behind the times. Until 2008, the middle classes thought the world was their oyster, happiness, success, security their entitlement. After 2008, the main story is fear. Entitlement is still wedged in the consciousness of the middle classes, yet it doesn’t match reality. Casual cruelty, confusion, shame drive the narrative.
A few days ago, Martin Crimp was interviewed at Front Row by Mark Lawson, a propos of his opera Written on Skin playing at the Royal Opera House. The conversation turned to In The Republic of Happiness, and here is what Martin Crimp said about members of the audience walking out in the middle of the performance. Continue reading