Review: Blurred Lines (by Nick Payne and Carrie Cracknell), at the Shed, National Theatre

The company. Photo Simon Kane

The company. Photo Simon Kane

If you read this blog, chances are you already had strong recommendations about Blurred Lines, a play “created by Nick Payne and Carrie Cracknell, devised by the Company with poetry by Michaela Coel”. (This is a direct quote from the National Theatre website, I didn’t want to get it wrong). “Recommendations” puts it somewhat mildly. Among the “feminist” plays currently performing in London, Blurred Lines (taking its title from the Robin Thicke song, yes THAT Robin Thicke song) is the rock n’ roll concert. People love it, scream for it (as the girls next to me did at the curtain call), adore it. And with very good reason.

On a visceral level, Blurred Lines made me think of hailstorms: Continue reading