Port is the story of Racheal, a little girl who needs to grow up. If it was a fairy tale, she would go to the woods, slay the dragon, become the woman she wants to be. But this is Stockport in the nineties, there are no mythical feats as rites of passage but boredom, no prospects, parents who don’t know how to love, feral children left to find their way alone in the shadow of the world. It sounds grim and foreboding, but Simon Stephens’ play, as directed by Marianne Elliott, has stubbornness and determination at its heart, and the energy and beauty of youth at its side.
In recent years, Simon Stephens has become one of England’s most prominent playwrights. Continue reading