Let’s start with a rhetorical question: Can you have too many King Lears? No matter what the answer, the productions will still come thick and fast. And even if you are tempted to say yes, you soon realise you are wrong. As with all Shakespeare, there is always room for more. The much-anticipated (not least by me) King Lear at the National is only a couple of months away, but first we have the Chichester Festival Theatre production directed by Angus Jackson. Presented at the Minerva theatre (the smaller more intimate space at Chichester), it has its own big name in the title role: Frank Langella is a heavyweight of american theatre and well acquainted with London stage. The production will transfer to Brooklyn Academy of Music in New York in 2014. In other words, it’s a King Lear that can’t be ignored.
And in many ways, it pays off. It’s clear, concise with strong imagery and drive. Set (by Robert Innes Hopkins) and lighting (by Peter Mumford) are magnificent: much of the light is filtered through asymmetrical columns at the back of the stage, the effect a backlit shadowy fog illuminating tragic souls. Continue reading