Review: King Lear (starring Frank Langella) at the Minerva theatre, Chichester

King Lear Chichester posterLet’s start with a rhetorical question: Can you have too many King Lears? No matter what the answer, the productions will still come thick and fast. And even if you are tempted to say yes, you soon realise you are wrong. As with all Shakespeare, there is always room for more. The much-anticipated (not least by me) King Lear at the National is only a couple of months away, but first we have the Chichester Festival Theatre production directed by Angus Jackson. Presented at the Minerva theatre (the smaller more intimate space at Chichester), it has its own big name in the title role: Frank Langella is a heavyweight of american theatre and  well acquainted with London stage. The production will transfer to Brooklyn Academy of Music in New York in 2014. In other words, it’s a King Lear that can’t be ignored.

And in many ways, it pays off. It’s clear, concise with strong imagery and drive. Set (by Robert Innes Hopkins) and lighting (by Peter Mumford) are magnificent: much of the light is filtered through asymmetrical columns at the back of the stage, the effect a backlit shadowy fog illuminating tragic souls. Continue reading

Review: The Same Deep Water As Me, by Nick Payne, at the Donmar Warehouse

Nigel Lindsay, Daniel Mays and Monica Dolan in The Same Deep Water As Me. Photo Johan Persson

Nigel Lindsay, Daniel Mays and Monica Dolan in The Same Deep Water As Me. Photo Johan Persson

Nick Payne’s Constellations was one of last year’s theatrical highlights: elegant and simple, it took life’s small gestures and launched them into space. It transferred from the 80 seater Royal Court Upstairs to the West End and was nominated for an Olivier award. As his new play starts performances, does he feel the pressure of repeating the success of Constellations?

On the evidence of The Same Deep Water As Me, directed by John Crowley at the Donmar Warehouse, Nick Payne doesn’t seem under pressure at all. On the face of it, it’s a simple story with a simple structure unfolding over several years: its milieu is a solicitor’s firm specialising in personal injury claims. It’s not the kind of profession to brag about and the two solicitors working on the firm bear (and occasionally justify) its unsavoury reputation with a mixture of self delusion and decency.

As with Constellations, dialogue and relationships are impeccable.  Continue reading