Review: Theatre Uncut 2014 at the Soho theatre (and then Brighton, Bristol, Liverpool)

Ruairi Conaghan and Conor MacNeill in Ira Provitt and The Man. Photo  Jeremy Abrahams

Ruairi Conaghan and Conor MacNeill in Ira Provitt and The Man. Photo Jeremy Abrahams

There is a danger in talking about Theatre Uncut. Set in 2010 as a response to the public spending cuts announced by the coalition government, it challenges playwrights to write fast, raw and immediate about the world around them. 2010 is a lifetime ago, and back then we might have felt we would ride any difficulties the way we always did, persevering with our daily lives, semi-committed, occasionally thinking about the political but more often not. Four years later, things only got bleaker and more urgent, so hats off to Hannah Price and Emma Callander (co-artistic directors) because they knew back then what we all know now: thinking about political solutions is not something we can leave for later or to others.

But here is the danger: Theatre Uncut isn’t just worthy and important. It is theatre (the clue is in the title) and works perfectly fine as a theatrical event. The five plays performed are rough, fast, full of questions and storytelling ideas. Continue reading