Review: Electra (starring Kristin Scott Thomas) at the Old Vic theatre

Electra Old Vic posterIt took me a long time to decide what I wanted to say about the Old Vic production of Sophocles’ Electra, directed by Ian Rickson. My lack of clarity is mostly because I wanted to like it more than I did. It gets many things right, it has integrity, it has a strong character. Still it never caught fire in my imagination.

Sophocles’ Electra is a simple story, at least when it comes to plot. Without giving much away, Electra waits for someone, unlike Godot he arrives. Much of the play it’s people describing what happened, either in the distant or recent past. What happened is important to them, to the point of risking their lives and their future. It’s linked to values and the gods and a changing world. At its best it’s ideas grabbing people by the throat.

Electra is a complicated character and 2500 years since the play was written have added layers of ambiguity. She is strong and determined, unwavering, fanatical. She is also committed to patriarchical values: she takes her father’s side and defends the values he represents. (Agamemnon – although murdered – is far from an innocent victim. He tricked his wife into sacrificing their daughter, then went to war for ten years and expected that his wife would stay behind and wait for him). Were these values unambiguous for audiences two millenia ago? If so, they aren’t any more.

The first time we see Kristin Scott Thomas, her hair is hidden under a scarf, giving her face the appearance of a skull. Continue reading