Gina Gionfriddo’s Becky Shaw was a popular and a critical success at the Almeida in 2011, so a new play by her, a play about women, their choices, their desires, their stumblings and recalibrations, felt like an exciting prospect. Therefore, it saddens me to say “Rapture, Blister, Burn”, directed by Peter DuBois in the main stage of the Hampstead theatre, is overall a disappointment.
Much of the problem is with the dramatic structure of the play, or lack of it. Two thirds are spent setting the scene, with hardly any plot development. Continue reading