What comes first, the play or the venue? John Webster’s The Duchess of Malfi, with Gemma Arterton in the lead, always had the making of a significant theatrical event, but as the first production in the new Sam Wanamaker Playhouse (the indoor jewel in the Globe’s crown), the focus is equally divided between play and theatrical space.
Let’s briefly talk about the venue: The excitement of the new indoor theatre – part of the original Globe vision and several years in the making – shivers in the air and the space is predictably beautiful but surprising in other ways. I was somewhat unprepared for how small it was. Even to my untrained eye, the architecture is recognisably that of an Elizabethan theatre but everything is scaled down. The feel is that of a dollhouse. Not unpleasant but definitely unusual.
As for Dominic Dromgoole’s production, it bristles with attention to detail Continue reading