Are any children born with an intrinsic love for money? I don’t know why this thought popped to my head as John Logan’s Peter and Alice finished. The play has no materialistic obsessions. But it deals with the passage to the adult world, and money is an entirely adult concept.
It is 1932. Alice Liddell Hargreaves is 80. Peter Llewelyn Davies is 35. They meet for the first time. These two people have a unique bond, everyone is connected to their childhood. But they are not connected to theirs. Peter Davies is desperate to understand the missing links. Alice Hargreaves knows not to be desperate for anything.
John Logan’s play is focused on the passage to adulthood: From a place of moral, intellectual and emotional clarity we move backwards to a place of pain and confusion. What do we actually learn or know to do better?
There are many powerful elements in the play, not least the performances and unravelling the past with an explorer’s eye for adventure (the past is indeed another country). Continue reading