Getting straight to the point, why are many theatre sites so appalling to look at? Organisations, like the National Theatre or the Royal Shakespeare Company, have sites that are visually fine (although often too fiddly for the users) and theatre blogs, naturally, span a huge range, but theatre news outlets, like Whatsonstage, Playbill and Broadwayworld, are consistent in their aesthetic: garish, loud, like being screamed at by an old lady while repeatedly hit over the head. If you get past that assault, there is a lot of interesting content, but I still feel I am in the wrong place: normally I wouldn’t be caught dead in a place as naff as that. Continue reading
In a series of irregular features, this is a roundup of theatre news and rumours that caught my eye this past week:
- Word is Marianne Elliott will direct Tennessee Williams’ Sweet Bird of Youth for the Old Vic, no news on the cast yet. I have never seen the play but my enduring image of it is a black and white photo, Melina Mercouri in a 1979 greek production. The project should attract a first rate and exciting cast. (Update 11/10/2012: Baz Bamigboye of the Daily Mail confirmed the rumour today, with the information that Kim Cattrall will play the lead role).
- My current theatre obsession is a play and theatre production I haven’t seen: Peter and the Starcatcher went from workshop to off Broadway production to Tony award winning Broadway hit, and indications are strong it will transfer to the West End next. Roger Rees (who developed and co-directed the play in New York) is in London for his one man show What You Will so maybe there will be news soon.
- A few months back, the Royal Court announced, as part of its upcoming season, the new Jez Butterworth / Ian Rickson play The River, and given that Jerusalem was the last offering from this playwright / director team, the interest was huge. Excitement turned to irritation as it was also announced that no tickets could be purchased in advance (membership booking or otherwise) and all tickets would be purchased on the day. A few days ago, cast was announced for the play with Dominic West, Miranda Raison and Laura Donnelly taking the roles in this intimate three-hander. This production feels like the poisoned chalice to me, as it will be difficult to live up to expectations and the whole business with the tickets didn’t buy a lot of good will (among regular – and paying – theatregoers like myself, the critics obviously don’t care). But if I ever get tickets, I ‘ll tell you what I think of it.