Part of the Playwrights’ Playwright season at the Duke of York’s theatre, at 2pm yesterday a mouth watering cast (Benedict Cumberbatch, Rebecca Hall, Anna Maxwell Martin, Matt Ryan and Julian Wadham) performed a rehearsed reading of John Osbourne’s Look Back in Anger. The word “seminal” was invented for that kind of play: when it was first performed 56 years ago, it changed british theatre, if not british society: not only did it introduce a new kind of writing that still dominates british theatre today, but also, quite possibly, saved the Royal Court from extinction. Most of the new writing of the last 55 years might not have happened if not for this play. The delightful irony of performing the reading at the set of Posh didn’t escape anyone.
Look Back in Anger is an indestructible play. The level of the audience’s emotional engagement right from the start is so high (even if that emotion can loathing) that no matter the production, it always feels like a wild ride. It’s amazing it’s been written more than half century ago: while the play is rooted in its time (and it’s interesting to contemplate how the characters were perceived then, and how we perceive them now), the writing is fresh and current. Continue reading