Review: Trelawny of the Wells, by Arthur Wing Pinero (& Patrick Marber), at the Donmar Warehouse

The Trelawny of the Wells company. Photo Johan Persson

The Trelawny of the Wells company. Photo Johan Persson

Within a few seconds of the performance starting, I knew I was going to love Joe Wright’s production of Trelawny of the Wells. The set, with the simplicity and elegance of a puzzle box, is a pleasure to look at, and the first few moments of the production are so joyously startling that, as a calling card, are hard to beat. If that’s me being uncritical, so be it. Some plays are meant to make you happy and on the evidence of this production, I don’t see why I should resist it.

The story touches on things I love: it’s a play about actors. And eventually a play within a play. In 150 years, few things have changed: actors are still gypsies, a little bit touched, envied, loved, disrespected, outrageous, generous and petty in the same breath and looking for a way out. Rose Trelawny is the brightest most talented star of her company but is giving theatre up for the love of a young man from an aristocratic family. Two worlds are set on a collision course.

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