For pure heart-fluttering excitement, the combination of Shakespeare and big name actors is hard to beat. Macbeth and James McAvoy earlier this year, Richard II and David Tennant from October, and somewhere in the middle Othello with Adrian Lester and Rory Kinnear punctuate the theatrical year with spine tingling anticipation. Shakespeare’s plays breath with charismatic actors who can take reign of uncompromising characters, and Nic Hytner’s production, visceral and sharp, delivers in those terms.
Having said that, the first twenty minutes were not as promising. Pubs and alleyways and indistinct boardrooms, soldiers on leave in ill fitting civilian clothes (and ill at ease civilian mode), the setting was too drab to set the imagination alight. Landing on Cyprus, the story started gathering momentum, but it was Iago manipulating Cassio in one almighty brawl that set the production on its proper course. Once the seeds of jealousy and doubt are planted in Othello’s mind, the story started hurling to the finish like a wild horse: beautiful and scary and dangerous. Continue reading